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Showing posts from February, 2016

Aspiring, Thriving, or Struggling Changemaker? Join us for MuseumCamp 2016.

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Each summer, the Santa Cruz Museum of Art & History hosts MuseumCamp , a professional development experience that is part retreat, part unconference, part adult summer camp. MuseumCamp will be August 31-September 2, 2016. This year's theme is CHANGEMAKERS. We will host 100 diverse people who are making change in the world, our communities, and our institutions for 2.5 days of fun, fellowship, and active learning. Whether you are dreaming about change, making it happen, or have faded battle scars to share, we want you here this year . As always, MuseumCamp will be a high-energy, all-in experience... with enough downtime for introverts, too. The 2.5 days include lightning talks from campers, team design bursts to tackle your thorniest change challenges, MAH community programming, movement and meditation, delicious food, and late-night conversations. Yes you can sleep at the museum. Yes you can swim with sea lions. Yes you can--and will--learn things about yourself and your work t

One Simple Question to Make Your Work More Participatory

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Photo by CLoé Zarifian, MAH Photo Intern We're working with a guest curator, Wes Modes , on an upcoming experimental project at our museum. Wes is an artist, and this is his first time running a museum exhibition development process. In a recent meeting about the exhibition process, Wes asked me: what am I not thinking of that I should be doing? I said to him: I can't really answer that question. I'm sure you're thinking of a lot of steps to make this process work, and many more tasks will arise. The key question is, every step of the way: how can you invite people beyond yourself to help make this step better? This is the question I ask myself anytime I'm working on something with a participatory intent. How can people--staff, volunteers, community members--help make this project better?    In the case of the exhibition process that Wes is leading, we talked about how others could be involved in an experimental exhibition/residency in which artists work with visito